MUSL 3160 "Women and Rock Music" - Gunderman

Women in Rock Memoirs vindicates the role of women in rock music. The chapters examine memoirs written by women in rock from 2010 onwards to explore how the artists narrate their life experiences and difficulties they had to overcome, not only as musicians but as women. The book includes memoirs written by both well-known and lesser-known artists and artists from both inside and outside of the Anglo-American sphere. The essays by scholars from different research areas and countries around the world are divided into three parts according to the overall themes: Memory, Trauma, and Writing; Authenticity, Sexuality, and Sexism; and Aging, Performance, and the Image. They explore the dynamics of memoir as a genre by discussing the similarities and differences between the women in rock and the choices they have made when writing their books. As a whole, they help form a better understanding of today's possibilities and future challenges for women in rock music.

Think punk was only a boys club? Read about the women who were the punk revolution! Women have been kicking against the pricks of music patriarchy since Sister Rosetta Tharpe first played the guitar riffs that built rock-n-roll. The explosion of punk sent shockwaves of revolution to every girl who dreamed of being on stage. Punk godmothers Suzy Quatro, The Runaways, Patti Smith, Poison Ivy, Tina Weymouth, Debbie Harry, The Go-Gos, and Fanny's Millington sisters provided the template for thousands of girls and women throughout the United States to write and record theirsongs. Hit Girls is the story of local and regional bands whose legacy would be otherwise lost. Despite the modern narrative labeling women as anomalies in rock music, the truth is: women played important roles in punk and its related genres in every city, in every scene, all over the United States. The women and bands profiled by Jen B. share their experiences of sexism and racism as well as their joy and successes from their days on stage as they changed what it meant to be in a band. These pioneering women were more than novelty acts or pretty faces - they were fully contributing members and leaders of mixed-gender and all-female bands long before the call for 'girls to the front.' The women of Hit Girls are now rightfully exalted to cult status where their collective achievement is recognized and inspiring to new generations of women rockers. Included are interviews with: Texacala Jones, Stoney Rivera, Mish Bondaj, Alice Bag, Nikki Corvette, Penelope Houston, and many more formidable and infamous women who made their voices heard over the screaming guitars. Hit Girls includes over 100 rare and never-before seen images. Author Jen B. includes a comprehensive playlist of all the artists.

As a member of Poster Children, Rose Marshack took part in entwined revolutions. Marshack and other women seized a much-elevated profile in music during the indie rock breakthrough while the advent of new digital technologies transformed the recording and marketing of music. Touring in a van, meeting your idols, juggling a programming job with music, keeping control and credibility, the perils of an independent record label (and the greater perils of a major)--Marshack chronicles the band's day-to-day life and punctuates her account with excerpts from her tour reports and hard-learned lessons on how to rock, program, and teach while female. She also details the ways Poster Children applied punk's DIY ethos to digital tech as a way to connect with fans via then-new media like pkids listservs, internet radio, and enhanced CDs. An inside look at a scene and a career, Play Like a Man is the evocative and humorous tale of one woman's life in the trenches and online.