"Covers classics of Cinema Novo, such as 'Black God, White Devil', 'Land in Anguish' and 'How Tasty was my Little Frenchman', alongside representatives of a more recent transnational aesthetics, including the anti-utopian 'City of God'and the urban dystopia of 'The Trespasser'."
See recommended sources in articles on "Brazilian Cinema.," "Contemporary Brazilian Cinema:," "Music and cinema: global." which cover themes like cinema novo, race, gender, cinema and the state, samba music.
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