"Covers classics of Cinema Novo, such as 'Black God, White Devil', 'Land in Anguish' and 'How Tasty was my Little Frenchman', alongside representatives of a more recent transnational aesthetics, including the anti-utopian 'City of God'and the urban dystopia of 'The Trespasser'."
See recommended sources in articles on "Brazilian Cinema.," "Contemporary Brazilian Cinema:," "Music and cinema: global." which cover themes like cinema novo, race, gender, cinema and the state, samba music.
In her authoritative new book, Maite Conde introduces readers to the crucial early years of Brazilian cinema. Focusing on silent films released during the First Republic (1889-1930),
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