HART 2755: Women in Art since 1850 - VanDiver

The Library and Research Center (LRC) holds primary-source records in the Archives of Women Artists as well as the historical records of the National Museum of Women in the Arts.

Britannica Academic delivers fast and easy access to high-quality, comprehensive information. The rich combination of the venerable Encyclopædia Britannica plus Merriam-Webster’s Collegiate Dictionary, magazines and periodicals, and many other research tools provides the variety of reliable sources that students need to consult when conducting thorough research—all from one resource.

This book includes some 200 complete entries from the award-winning Dictionary of Women Artists, as well as a selection of introductory essays from the main volume.

The online version of the 34 printed volumes devoted to the visual arts: painting, sculpture, architecture, photography, drawing, and printmaking, as well as decorative arts. Its multicultural approach offers detailed analyses of civilizations from Asia, Africa, the Americas, Europe, and the Pacific, including art forms, cultures, and artists that have previously been neglected. It is full-text with links to color images.

The Oxford Encyclopedia of Women in World History, edited by Bonnie G. Smith, captures the experiences of women throughout history in a far-reaching, four-volume work. Although there has been extensive research on women in history by region, no other text or reference work has comprehensively covered the role women have played throughout world history.

Good source for begining your research on many different topics. Brief articles with recommended books and articles.

Women artists of the Harlem Renaissance dealt with issues that were unique to both their gender and their race. They experienced racial prejudice, which limited their ability to obtain training and to be taken seriously as working artists. They also encountered prevailing sexism, often an even more serious barrier. Including seventy-two black-and-white illustrations, this book chronicles the challenges of women artists, who are in some cases unknown to the general public, and places their achievements in the artistic and cultural context of early twentieth-century America.

The essays contained in Women in the Arts: Eccentric Essays II reflect the lives of creative artists, whether they are teachers, scholars and researchers recovering previous generations of women artists, or practicing artists creating new masterpieces. The promotion of the roles of women in the arts is integral, so that they may serve as a resource for future generations of students, scholars and researchers, and to enhance generations to come, enriching culture through the arts.