Need help making sense of the Call # you found in Library Catalog? or where to find the book in the library?
Another option is to browse the STACKS for books. The following call # areas might be of interest for this class.
Art Books-Regular and Oversize books are located on the 8th floor of the Central Library.
Visual Arts (General) | N |
Architecture | NA |
Sculpture | NB |
Drawing | NC |
Painting | ND |
Prints/Engravings | NE |
Decorative Arts | NK |
Arts in general | NX |
Vanderbilt University Library Search
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Comprehensive resource for art literature: articles, indexing and abstracting of journals, and art dissertations; covering fine, decorative, and commercial art, folk art, photography, film, and architecture. Includes indexing of publications, and citations of book reviews. Indexing of art reproductions provides examples of styles and art movements, including works by emerging artists.
Comprehensive American guide to the current literature of architecture and design. Index of international, scholarly and popular periodical literature, including publications of professional associations; US state and regional periodicals; and major serial publications in the architecture and design of Europe, Asia, Latin America and Australia.
Oxford’s art reference works: Grove Art Online, the Benezit Dictionary of Artists, the Encyclopedia of Aesthetics, The Oxford Companion to Western Art, and The Concise Oxford Dictionary of Art Terms.
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Click library links on the left hand menu. in the search box, search for Vanderbilt and select: “Vanderbilt University Library – Findit@VU” (with uppercase F), Click Save.
Catalog of books, manuscripts, websites, internet resources, maps, computer programs, musical scores, films, slides, newspapers, journals, magazines, sound recordings, articles, chapters, papers, and videotapes available at libraries worldwide. Cross-search OCLC databases: ArchiveGrid, ArticleFirst, Ebooks, ECO, ERIC, GPO, MEDLINE, OAIster, PapersFirst, ProceedingsFirst, WorldCat, and WorldCatDissertations.
Buddhist chronicles have long been had a central place in the study of Buddhism. Scholars, however, have relied almost exclusively on Pali works that were composed by elites for learned audiences, to the neglect of a large number of Buddhist histories written in local languages for popular consumption. The Sinhala Thūpavamsa, composed by Parakama Pandita in thirteenth-century Sri Lanka, is an important example of a Buddhist chronicle written in the vernacular Sinhala language.
The Eight Immortals, the five elements, the dragon and the phoenix, yin and yang--representations of these important cultural symbols are pervasive in Chinese literature, art and architecture. Without an understanding of their significance, much Chinese history, folklore and culture can't be fully appreciated. In this comprehensive handbook, C.A.S. Williams offers concise explanations--and over 400 illustrations--of these essential symbols and motifs. Arranged alphabetically for easy access, the book not only explains essential cultural symbols, accompanied by their Chinese characters, but also contains many articles on Chinese beliefs, customs, arts and crafts, food, agriculture, and medicine.
A major collection of important essays by many of the leading scholars in the field of Buddhism, including Phyllis Granoff from Yale University, T.H.Barrett from the University of London, Raoul Birnbaum from University of California, Toru Funayama from Kyoto University, Eugene Wang from Harvard University and others.
Gandhara, the ancient name for the region around modern Peshawar in northern Pakistan, was of pivotal importance in the production of Buddhist texts and art in the first centuries CE. Since the mid-nineteenth century, excavations of Gandharan monastery sites have revolutionized the study of early Buddhism. Among the treasures unearthed are hundreds of reliquaries--containers housing relics of the Buddha. This volume combines art history, Buddhist history, ancient Indian history, archaeology, epigraphy, linguistics, and numismatics to clarify the significance and function of these reliquaries.
Providing an overall interpretation of the Buddhist monument Borobudur in Indonesia, this book looks at Mahayana Buddhist religious ideas and practices that could have informed Borobudur, including both the narrative reliefs and the Buddha images. The author explores a version of the classical Mahayana that foregrounds the importance of the visual in relation to Buddhist philosophy, meditation, devotion, and ritual. The book goes on to show that the architects of Borobudur designed a visual world in which the Buddha appeared in a variety of forms and could be interpreted in three ways.